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To these seven narratives of neurological disorder Dr. Sacks brings the same humanity, poetic observation, and infectious sense of wonder that are apparent in his bestsellers Awakenings and The Man Who Mistook His Wife for a Hat. These men, women, and one extraordinary child emerge as brilliantly adaptive personalities, whose conditions have not so much debilitated them as ushered them into another reality.
- Sales Rank: #30211 in Books
- Brand: Brand: Vintage
- Published on: 1996-02-13
- Released on: 1996-02-13
- Format: Ultraviolet
- Original language: English
- Number of items: 1
- Dimensions: 8.01" h x .75" w x 5.14" l, .79 pounds
- Binding: Paperback
- 327 pages
Features
Amazon.com Review
The works of neurologist Oliver Sacks have a special place in the swarm of mind-brain studies. He has done as much as anyone to make nonspecialists aware of how much diversity gets lumped under the heading of "the human mind."
The stories in An Anthropologist on Mars are medical case reports not unlike the classic tales of Berton Rouech� in The Medical Detectives. Sacks's stories are of "differently brained" people, and they have the intrinsic human interest that spurred his book Awakenings to be re-created as a Robin Williams movie.
The title story in Anthropologist is that of autistic Temple Grandin, whose own book Thinking in Pictures gives her version of how she feels--as unlike other humans as a cow or a Martian. The other minds Sacks describes are equally remarkable: a surgeon with Tourette's syndrome, a painter who loses color vision, a blind man given the ambiguous gift of sight, artists with memories that overwhelm "real life," the autistic artist Stephen Wiltshire, and a man with memory damage for whom it is always 1968.
Oliver Sacks is the Carl Sagan or Stephen Jay Gould of his field; his books are true classics of medical writing, of the breadth of human mentality, and of the inner lives of the disabled. --Mary Ellen Curtin
From Publishers Weekly
Neurologist Sacks presents seven case studies of people whose "abnormalities" of brain function offer new insights into conceptions of human personality and consciousness.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
According to Sacks (The Man Who Mistook His Wife for a Hat, LJ 2/15/86), developmental defects, diseases, and disorders play a paradoxical role in human lives. Ravenous and destructive on the one hand, they also bring about unexpected growth and evolution of the extremely adaptive nervous system as it is forced to develop new paths and new ways of doing things. Sacks offers seven portraits exemplifying the "creative" potential of disease, including an artist who loses all sense of color in a car accident but finds a new sensibility and creative power in black and white; a surgeon consumed by the compulsive tics of Tourette's Syndrome unless he is operating; and an autistic Ph.D. who cannot interpret the simplest social exchange between humans but has built a career out of her intuitive understanding of animal behavior. Taking leave of his white coat and the hospital environment, Sacks explores his subjects closely. True to his past work, he offers compelling stories told with the cognizance of a clinician and the heart and compassion of a poet. He also includes a superbly annotated bibliography for further study. This insightful and inspirational collection is essential for all libraries. [BOMC selection.]-David R. Johnson, Arnold LeDoux Lib., Louisiana State Univ., Eunic.
--David R. Johnson, Arnold LeDoux Lib., Louisiana State Univ., Eunice
Copyright 1995 Reed Business Information, Inc.
Most helpful customer reviews
221 of 225 people found the following review helpful.
Extraordinary; a work of genius
By Dennis Littrell
These are true tales from a clinical neurologist's notebook, but this isn't just any neurologist. Oliver Sacks, author of the justly celebrated, The Man Who Mistook His Wife for a Hat (1986) and Awakenings (1973), which was later made into a movie starring Robert DeNiro and Robin Williams, and other works, is a gifted writer with a fine sense of story and an even finer sense of humanity. He has a style that is both affecting and fascinating, yet studiously objective, a style laced with footnotes and clinical observations, historical comparisons and wisdom. Part of the power of these tales, and of all of Sacks's work, is his ability to be totally engaged and to identify with the subject while part of him is off to the side observing with scientific impartiality. This makes for a compelling read. If you've never read Sacks before, you are in for a very special treat.
These tales are paradoxical because "Defects, disorders, diseases" can bring out "latent powers, developments, evolutions, forms of life, that might never be seen or even be imaginable, in their absence." It is this "'creative' potential, that forms the central theme of this book" (from Sacks's Preface, page xvi).
The first tale, "The Case of the Colorblind Painter" is about a successful artist who worked in color all his life only to became colorblind at age sixty-five, and the effect this had on his life and work. The second, "The Last Hippie" is about an amnesiac man with a frontal lobe tumor that left him stranded in the sixties. Sacks tells this sad, pathetic story with vivid detail, and characteristically ends it with a footnote, a footnote of such warmth and genuine identification that we are moved to tears. (Don't skip the footnotes!)
The third tale, "A Surgeon's Life," is an amazing account of a Canadian surgeon with Tourette's syndrome. It is here that we begin to see the central theme of this book in brilliant illumination. Dr. Carl Bennett, riddled with the bizarre tics characteristic of the disorder, compulsions that cause him to throw things, to touch things again and again in a ritualistic manner, to flail, jump and jerk about, nonetheless became a very successful (and beloved) doctor of surgery. Sacks scrubs up with Dr. Bennett and goes into surgery with him, during which, miraculously, the tics disappear for however long it takes to complete the surgery. Sacks visits him at home and meets his wife and two children, sees the dents in the refrigerator and on the walls, and comes away with a sense of how astounding the human potential to overcome adversity can be.
The fourth tale, "To See and Not See," is about partially restored sight and how it was not a blessing. This sad story illustrates how sight is learned from infancy and is largely a constructive and interpretive function of the brain. This tale also lets us see how the world of the sightless can be rich and fulfilling beyond our imagination.
In the fifth tale, "The Landscape of His Dreams, we meet a gifted artist, Franco Magnani, who from memory alone recreates his home town of Pontito, Italy through his paintings. He has a nearly photographic, three-dimensional memory, but because of a strange illness that befell him when he was thirty-one, he cares only to re-create his Pontito, not the people or events, but the houses, the masonry, the stones, and he does so continually with microscopic and affecting detail.
The chapter "Prodigies," focuses on an autistic artist, Stephen Wiltshire, whom Sacks is determined to befriend and understand. In this tale, and the concluding tale, "An Anthropologist on Mars," Sacks helps us to penetrate the world of the autistic and see it (at least in my interpretation) as an alternate view of reality, a view with its own strengths and weaknesses, a world that is just as true and valid as the "normal" one. Of course severe autism is debilitating in the extreme, and even modest autism can permanently scar and alienate the autistic from society. Yet, perhaps that is society's loss. I even got the sense, in reading these concluding stories about autism, that perhaps theirs is an evolutionary "strategy" trying to emerge, that is, a different way of seeing and dealing with the world that also might work. I would not be shocked to discover some day that the autistic, with their sometimes extraordinary gifts of memory and concentration, are melded more completely and seamlessly into our usual consciousness, and that humankind is the better for it. Incidentally, the last tale about Temple Grandin, who is a professor of animal studies at Colorado State University, is remarkable because it is about an autistic who is completely integrated into the society, yet remains autistic. She is the one who says she sometimes feels, because of her different perspective, like "an anthropologist on Mars" when she views "normal" people. Sacks allows us to see why.
Bottom line: this is an extraordinary book of insight and scholarship about the human condition, written with grace and a deep sense of humanity, not to be missed.
37 of 37 people found the following review helpful.
An Awesome Romp Through the Pluriverse.
By Kevin Currie-Knight
"Anthropologist on Mars" begins with a quote by geneticist J.B.S. Haldane - a quote that so beautifullly sums up the book's aim as to bear repeating:
"The universe is not only queerer than we imagine, but queerer than we can imagine."
Oliver Sacks's seven paradoxical tales aim at showing us just that. We are offered a mere glimpse of the neurological pluriverse and, in so witnessing, become able to appreciate just how 'queer' human nature can be.
Other reviewers have gone into great detail about the outline of each story, so I will leave that to them. What I wish to point out to prospective readers is Sack's ability, through his tales, to make the ordinary things about our brains that we take for granted, appear unique, fragile, and more special than we might have thought.
For instance, we witness two stories dealing with sight. First, we explore the case of a painter who loses ALL sense of color late in life. We also see its opposite - a blind man given sight late in life.
In the first case, we get a real sense of how integral the sense of color is for life. We watch this man describe how the world becomes infinitely duller and less interesting when all one can see is shades of gray. He is driven almost to suicide! In the next tale, we see how astonishingly hard it is to 'learn to see' and all the things the brain must do to achieve this (which becomes all the harder the older one is).
We also meet some folks who are autistic and, as such, lack the social instincts and abstraction that we who have them take for granted. Imagine, if you can, having to learn social rules (such things as body language, vocal inflection, and sense of humor) like one would learn algebra - not instinctually, but intellectually. And imagine being mystified by ideas like romantic love and the beauty of music. Temple Grandin - in the final of Sacks tales - shows us what this is like.
Through all of this, Sacks takes on the role not only of a neurologist and story teller, but of a philosopher. The philosopher takes the ordinary and puts it under a microscope to show us how breath-taking it really is. Just because most of us - the impaired call us neurotypicals - have brains that smoothly operate thus and so, does not mean that we all do. Some, like Virgil, have to work hard at seeing such basic things as 2D represntations of 3D objects. Others, like Temple Grandin, have to work at understanding the idea of sociality.
All in all, this is a stunning book that will make you think and marvel. Dare I say, if you are like me, you will never look at the human brain with quite the same lens as you did before.
16 of 16 people found the following review helpful.
One of his best books!
By Christine
I've read several books by this author, including "The man who mistook his wife for a hat", "The island of the color blind" and "Seeing voices", but I have to say that this is the one I've enjoyed the most.
In keeping with the format of his hugely popular "The man who mistook his wife for a hat", Oliver Sacks presents his readers with several case stories that are both gripping and enlightening. As always, the author's greatest talent is being able to teach the general reader about the intricacies of the human mind, without reducing the particular patient to something other than human. The people behind each of these case studies are never reduced to being just freaks of nature, but are instead described with a great deal of respect.
I highly recommend all of Dr Sacks' books, but this is the best one to start with if you're new to his work. However, if lengthy footnotes are a pet peeve of yours, you may want to stay away. I, on the other hand, along with many other of his readers, really enjoy the many footnotes as they give his books more depth and points the reader in new interesting directions.
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